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5 Things Jewelers Can Learn From Zendaya’s Recent Red-Carpet Looks

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Zendaya once again proves why she is one to watch for jewelry and fashion, using “method dressing” and her real-life engagement to hype the new movie in which she plays a bride-to-be.

Out Friday, The Drama costars Zendaya and Robert Pattinson as an engaged couple whose relationship is threatened by something she reveals a week before their wedding. The film has been called a “dark rom-com” with “controversial” subject matter.

For the movie’s press tour and international premieres, Zendaya’s “method dressing” (defined as “red-carpet looks referencing [actors’] roles or overall aesthetics of a film being promoted”) has included something old, something new, something borrowed…and lots of diamonds.

Working with stylist Law Roach, the actress has walked down the aisle—well, the red carpet—in bridal-themed jewelry, accessories, and gowns that have fashion followers in a tizzy. Zendaya got engaged to actor Tom Holland in early 2025, and Law infamously told people that they’ve already married, though that’s still up for debate.

Zendaya white dress Drama Paris
Zendaya wore David Morris jewelry to the Paris premiere of The Drama on March 24. (Photo: Sipa USA/AP)

For the Los Angeles premiere of The Drama, Zendaya wore her “something old”: an ivory Vivienne Westwood gown from the 2015 Oscars. At the Paris premiere, she sported “something new,” a Louis Vuitton gown with a black bow and train, along with a David Morris necklace and earrings. And in Rome she wore “something borrowed” from actress Cate Blanchett—a stunning Armani Privé gown and Louis Vuitton earrings.

Zendaya’s jewelry has included plenty of diamonds: in hoop earrings, rings, and necklaces. She’s worn pieces from Cartier, Chopard, and Louis Vuitton, among other brands. For those really studying her off-camera life, Zendaya on at least one occasion had a simple gold band on her finger. Is it a wedding band? She’s not talking.

Here are five things jewelers could learn from this master class in method dressing.

Lesson No. 1: Jewelry creates a vibe.

Zendaya and Law’s approach to her Drama red-carpet style was elevated by the jewelry they selected, according to Upasna Singh, a jewelry designer, professional stylist, and creative director of U-GLAM NYC, a brand specializing in handcrafted luxury jewelry and accessories.

“With Zendaya, the jewelry is not just a final touch; it’s often a big part of the mood, symbolism, and overall tone of the project, and that’s why the styling feels so purposeful and not just fashionable,” Singh says.

Lesson No. 2: Jewelry can tell a story.

“It holds a lot of narrative value,” Singh says. “A single necklace, cuff, ring, or pair of earrings holds the potential to evoke a character’s world, a certain period of time, or an emotional layer of a narrative, and almost never runs the risk of tipping the overall look into overly literal.

“This is one area where Zendaya and her team truly excels,” she continues. “Jewelry is balanced in a way that adds dimension and refinement to the look all while keeping it modern and fashion-forward. Jewelry…can straddle the line between glamour and narrative. This way, it elevates the look to an editorial level while adding another layer of context and meaning.”

Lesson No. 3: Audiences notice when the styling matches the movie.

“What’s working really well with Zendaya is that the styling doesn’t really feel like a costume. It feels like elevated styling. It feels really intentional,” says Tracy Lamourie, a celebrity publicity, business strategist, and media commentator.

“What she’s doing right now isn’t just fashion, she’s controlling her story. Method dressing works really well because it brings the story of the film off the screen and into the real world, and it turns every single public appearance into more story, into a continuation of that character, but it does it in a way that the celebrity’s personal identity is still protected,” Lamourie says.

Lesson No. 4: Method dressing needs to be authentic.

Zendaya’s “approach to dressing for The Drama feels intentionally understated and emotionally resonant,” says Harriet Chunu-McClatchey, a style coach, image expert, and founder of Radiant Styling, an image and style consultancy. “Instead of overshadowing the story, her outfits reflect its depth, hinting at complexity, tension, and a quiet intensity that captivates the audience.

“Law Roach is an expert at what he does, because not only does he style her looks around her latest movie, but he does so whilst staying true to her personal style and essence,” Chunu-McClatchey adds. “It’s a reminder that when an image is approached with this level of intention, it doesn’t just support the work, it amplifies how it’s received.”

Lamourie agrees. “It fits with both the project and also with her own personal brand,” she says. “The balance where it fits with both is what makes it credible instead of feeling like some kind of gimmick.

“When method dressing does not work, then it’s just obviously marketing,” Lamourie notes. “But when it does work, again, it feels like they’re continuing that story in a really fascinating way in the real world. Now, audiences notice that kind of difference.”

Lesson No. 5: Method dressing works best when every detail is considered.

“What compels method dressing most is the fact that it creates a complete fashion story for the viewers. Every inch is meticulously thought about—the silhouette, the jewelry, and the entire styling,” Singh says. “It is even more pronounced when the method dressing is effectively executed. Zendaya has refashioned the means of dressing the celebrities as a method of telling a story. It is emotional while also being editorial.”

Top: Zendaya borrowed a dress and jewelry from fellow actress and fashion icon Cate Blanchett, for The Drama  premiere in Rome on March 26. (Photo: Marilla Sicilia/Mondadori Portfolio/Sipa USA/AP)

Karen Dybis

By: Karen Dybis

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