
Melanie Grant’s latest project implies a deceptively simple premise: The Jewelry Book, published last month (Phaidon, $79.95), appears to be a quick-reference, A-Z manual highlighting the most influential jewelers of all time. But flip through its more than 300 pages and it’s clear: Grant, a U.K.-based author and industry luminary who edited The Jewelry Book, has chosen the entries by a unique set of criteria, allowing her to present a vision of the jewelry world that extends far beyond its most hallowed design houses.

Which is not to say that Boucheron, Bulgari et al. don’t make appearances—of course they do—but in Grant’s view, the current industry landscape demands a more comprehensive roster of talents and personalities.
“Rarely, if ever, in the world of jewelry books do you see rappers share the stage with queens, goldsmiths, and gem cutters side by side, or collectors and galleries intermingled over hundreds of years,” Grant tells JCK. “I think this eclectic mix, which includes costume, fine, high, and artist jewelry, sets it apart from everything that has gone before.”


With input from a team of industry experts, Grant spent three years assembling her “hall of fame,” which includes an array of “inductees” across a spectrum of eras, spheres and aesthetics, illustrated by incredible photos.
Grant’s approach has bubbled up some important yet overlooked names from jewelry history (such as Art Smith and Winifred Mason Chenet) and prompted the inclusion of more recent industry entrées (e.g., Johnny Nelson and Cindy Chao).


In the book, stone cutters have a moment (e.g., Maori jade carver Joel Marsters), as do gem specialists (such as George Frederick Kunz), models, and muses (Gloria Guinness). Galleries of note—including Mahnaz Collection and Elisabetta Cipriani—earned spots in the lineup because of their role in championing emerging jewelry artists and challenging the status quo.
Grant also gives credit to select jewelry superfans and “influencers” who’ve had an impact on jewelry tastes and trends throughout the ages. No surprise that Elizabeth Taylor got an invitation to the ball, but Queen Charlotte, who lived in the 1700s, is also on the list. Ditto Diana Vreeland, Nina Simone, and the Notorious B.I.G. And 200 or so pages in, you’ll find a trio of Porters—as in, Cole and wife Linda, who famously loved Verdura, and red-carpet trailblazer Billy—hanging out together despite their being separated by nearly 100 years in real life.


The Jewelry Book is a follow-up to Grant’s celebrated Coveted book, with its standout purple cover, which was published in 2020.
“Coveted asked the question ‘Can jewelry be art?’ The Jewelry Book recognizes that it can, regardless of what type of jewelry is created and who wears it. There is a freedom to that realization and a democratization that is profound,” says Grant.
Someone had to step in and upend the jewelry canon to make room for diverse perspectives and influences. Of course you can use the The Jewelry Book as a reference guide, but it might also be considered a “bible” that formalizes what many jewelry insiders have long recognized (and maybe taken for granted): A new jewelry era—the new jewelry era—has officially begun.
(Top photo courtesy of Phaidon; Grant photo by Andrew Werner)
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